Looking for something? Search this site and archives.
You make lasagna. You build a doghouse. Do you make a book or build one? The book as cooking or as architecture?
Either metaphor works. You make a book with a recipe, a set of ingredients added and mixed at the right time. You build a book, word by word, page by page, with a plan and structure. You make preliminary notes.
Consider Daniel Libeskind and The Crystal. The early stages of his addition to the Royal Ontario Museum in Toronto consisted of steel scaffolding jutting out of the ground and into the sky like a giant broken ribcage. That’s what notes are like – initial impressions, maquettes, first soundings. Raw, provisional, unfinished. A chrysalis, not a butterfly.
Remember the Armenian-American painter Gorky’s words: "When something is finished, that means it's dead. The thing to do is to always keep starting to paint, never to finish painting." Maybe that’s the thing to do with writing as well: keep starting it, never finish it. Gorky left his famous painting "The Artist and his Mother" unfinished. I don't know if he smeared his mother’s hands the way Atom Egoyan has him do it in the movie Ararat, but he did leave her hands unfinished. If he had finished them, she would have been dead.
I have big dreams for my book. I want it to contain the best of what I’ve dreamed, thought and imagined, in the most intimate voice I can summon. The book will open and close with direct address to my firstborn grandson Kaizen. Since his mother Wanh’s first language was Mandarin (her English is now stronger than her original mother tongue), I want to include some Chinese script in the book – bilingual chapter headings at the very least.
At the moment the bones of the book look like this:
In other words, the book will explore my personal thoughts and feelings on art, animals, friends, and prayer, accompanied by letters to my grandson.
In preparation for my book, I’ve begun to collect quotations as possible epigraphs. These lines from Ernest Becker’s The Denial of Death, for instance:
The most that any one of us can seem to do is to fashion something—an object or ourselves—and drop it into the confusion, make an offering of it, so to speak, to the life-force.
And these from Thomas Wolfe in a poem called “Magic:”
And who shall say—
Whatever disenchantment follows—
That we ever forget magic,
Or that we can ever betray,
On this leaden earth,
The apple-tree, the singing,
And the gold?
But all these words seem so old and my grandson is so young. And in the Wolfe poem, the fifth line doesn’t feel right. The earth isn’t leaden. It’s green. Even in my most melancholic moods it’s green.
I’ve been working on the book for a long time now, and seem no nearer to completing it than the days when I first began it. Sometimes I think all that will remain of my book is the dream of it, the bones of it, like Libeskind’s ribcage, like Gorky’s unfinished portrait of himself and his mother. Not a book. Just notes towards making one.
I want to believe the poet Souvankham Thammavongsa – “Books, even when you have them don’t make you a writer – the writing, the whatever you do to finish it, to make it what it is, makes you a writer.” – but I can’t quite manage it because finishing doesn’t seem possible or even desirable.
an American novelist I much admire, in an interview with The Globe and Mail a few years
ago postulated the need for an on-going beginning.
“I would love to get a big idea and just keep writing until I left it unfinished. It would just go as long as I was breathing.”
Maybe my grandson won’t mind if I write a letter to him for the rest of my life.
J. S. Porter, Hamilton
Return to the Dialogue Home Page
The SUMMER ISSUE, Vol. 34-No. 4 (Print Edition) was mailed to subscribers
* * * *
To subscribe or
to send a Gift Subscription,
please contact us:
6227 Groveland Dr.
Nanaimo, BC Canada
[$20 CDN/4 issues;
$6 SINGLE ISSUE] Subscribers receive a pdf copy with active links.
* * *
DEADLINE FOR THE AUTUMN 2021 ISSUE: SEPT. 1st.
Please email letters, essays, artwork, poetry, etc., to: email@example.com
OR BY MAIL:
6227 Groveland Dr., Nanaimo, BC V9V
* * *
The Spring 2021 Digital Edition, Vol. 34, No. 3
* * *
The Winter 2020-21 digital edition, Vol. 34, No. 2 is here.
* * *
* * *
Please send comments, inquiries or letters / essays / poetry / art to firstname.lastname@example.org
MAIL: 6227 Groveland Dr., Nanaimo, BC V9V 1B1 CANADA. Or use the Submission Page.
* * *
Links to earlier issues can be accessed here.
You can order a copy of the printed magazine!
* * *
"In a time of universal deceit, telling the truth is a revolutionary act."
- George Orwell
* * *
"The civilized have created the wretched, quite coldly and deliberately, and do not intend to change the status quo; are responsible for their slaughter and enslavement; rain down bombs on defenseless children whenever and wherever they decide that their "vital interests" are menaced, and think nothing of torturing a man to death: these people are not to be taken seriously when they speak of the 'sanctity' of human life, or the 'conscience' of the civilized world." - James Baldwin, Source: page 489 of COLLECTED ESSAYS (1998), from chapter one of "The Devil Finds Work" (orig. pub. 1976)
"Since world war two we've managed to create history's
first truly global empire. This has been done by the corporatocracy, which are
a few men and women who run our major corporations and in doing so also run the
U.S. government and many other governments around the world." - John
Perkins, 2005, author of the book titled 'Confessions of and Economic Hit Man'
In the struggle of Good against Evil, it's always the people who get killed. - Eduardo Galeano
"It's not enough to have lived. We should be determined to live for something. May I suggest that it be creating joy for others, sharing what we have for the betterment of personkind, bringing hope to the lost and love to the lonely." - Leo Buscaglia, author and university professor (1924-1998)
The above quotes are from ICH on Dec. 18-19, 2015: InformationClearingHouse
* * *
Add comments or new items in Your Submissions